What an incredible positive force of nature. A seasoned artist, but yet so youthful in his music making and always so connected with his fellow musicians.
A week and night to remember, for sure.
What an incredible positive force of nature. A seasoned artist, but yet so youthful in his music making and always so connected with his fellow musicians.
A week and night to remember, for sure.
One performer, one perspective.
I wanted to see if one could tell a story of the rather intense and intimate rehearsal process, from only one perspective.
The great Leif Ove Andsnes rehearsing works by Debussy and Franck with the Trondheim Symphony Orchestra in May 2024.
Documenting this part of the artistic process is in many ways as interesting as photographing the end result, the performance where everyone with a ticket can attend.
Maestro Massimo Zanetti
Concept, stage design and stage direction
José Cura
Current direction
Victoria Bomann-Larsen
MIMÌ
Elsa Dreisig
AUGUST STRINDBERG/RUDOLFO
Stefan Pop
EDVARD MUNCH/MARCELLO
John Chest
TULLA LARSEN/MUSETTA
Lina Johnson
EDVARD GRIEG/SCHAUNARD
Magnus Berg
SØREN KIERKEGAARD/COLLINE
Petri Lindroos
BENOIT & ALCINDORO
Ola Marius Ryan
JULBOCKEN/PARPIGNOL
Arnstein Morken
TRONDHEIM SYMPHONY ORCHESTRA AND CHOIR(S)
I spent a day in Stavanger observing and documenting noted composer and conductor Péter Eötvös working with a selected number of participants from the Norwegian conductor’s program (Dirigentløftet/Talent Norge/Sparebankstiftelsen).
Maestro Eötvös was this season’s Composer in Residence of the Stavanger Symphony Orchestra, also conducting his own works.
Here are a few impressions from their last workshop day.
I was recently back in Oslo making portraits of orchestral and choral conductors that take part in the Norwegian conductor’s program (Dirigentløftet/Talent Norge/Sparebankstiftelsen).
The sessions were held inside the beautiful Opera House. As a lover of architecture, it was a treat to have the textures and shapes of this iconic building as my backdrop.
Here are a few samples from these sessions.
The talent program for young conductors from, or based in, Norway (Dirigentløftet/Talent Norge/Sparebankstiftelsen) recently hired me to make new portraits of their current roster of talents.
The sessions were held at Sentralen in Oslo. Even with such a cool location, it was still a real challenge to make one location work with no less than 10 distinctive individuals.
Here are a few samples from our chamber music like sessions.
I have a passion for music, obviously, and for photography. When those two worlds meet, then I’m really in my “happy place”. That happened recently in Røros (Norway), a wonderful place in so many ways. It’s a town of great beauty and character, and consequently included on the UNESCO World Heritage List. Combine that with just as welcoming and dedicated locals, world class musicians from the Berliner Philharmoniker mentoring young talents from Norway and it would be hard imagining a better day out in the field.
The day started at 4AM, catching an early train to Røros and ended back home again at around 11PM. The client, “Vinterfestspill i Bergstaden” (a festival being held in March each year), wanted promotional images of Røros, the people involved locally and the visiting artists. A real challenge fitting all those things into a single day of shooting, but seeing the different images now appearing on the festival’s website and social media platforms, I think that the collaboration went quite well. Take a look at https://vinterfestspill.no and judge for yourself.
I’m delighted to be going back to Røros for the festival in late March.
I had the pleasure of doing a studio portrait and “lifestyle” session with chief conductor of the Trondheim Symphony Orchestra & Opera, Han-Na Chang, recently.
This session continued our collaboration from last year, when we made a series I called “Han-Na Chang in Trondheim”.
All these images are now the visual backbone of her website and press material:
https://www.hannachangmusic.com
I have now switched to an all Leica-setup, and I am delighted with how this system works for me both on location and in the studio. Like everything, it has its quirks but the gorgeous image fidelity makes it all worth while. I enjoy that the images coming straight out of the camera is so close to where I want them to be, the editing is more about tweaking than completely rebuilding the image file.
Our planned “conductor on stage and in action”-session sadly had to be postponed due to the Covid-situation, but will hopefully happen later this spring.
Gear used:
Leica SL2s
Leica Vario-Elmarit-SL 24-90mm/f2.8-4 ASPH.
Leica Vario-Elmarit-SL 90-280mm/f2.8-4 ASPH.
3x Profoto B10 studio strobes with various light modifiers.